Stirling

Toronto, ON

On the band’s MySpace page, Stirling claims that they “miss the Evil Empire” and “take back the bad things they said about it.” Though the sentiment shouldn’t, perhaps, be taken too seriously (the page also mentions that the rhythm section has made a killing on pyramid scams), it does point to the band’s deep interest in history as well as their nostalgia for a time when the album, not singles, was the dominant mode of thinking about music. While they are somewhat reluctant to call their new record, The Fall of the Winter Palace, a “concept album” they will admit that their shared obsession with 20th century history (Matt used to teach the subject) provided the thread that ties it all together. Perhaps this explains the presence of songs that deal with such seemingly unrelated topics as the Canadian downhill skier Dave Irwin, 1950’s movie starlets, Cold War ideologues, and doomed French autocrats. Concepts aside, going into the studio, Stirling wanted to avoid writing a record fit only for listening to through headphones at home. Ed Zych, who both recorded and produced all eleven tracks, intuitively understood their desire for big guitars and drums, a step away perhaps from their more piano oriented debut, Northern Light. This shift in musical style became almost unavoidable when the band’s lead singer and rhythm guitarist Matt Booi ran into some ne’re-do-wells after a show in Toronto last summer. The altercation left him with a broken hand that allowed him to st …

Lineup

Name Role
Matthew Booi Vocals/guitar
Josh Dallman Lead Guitar
Jeremy Gontier bass
Mike Rivet Drums

Influences

David Bowie, Roxy Music, Scott Walker, Spiritualized, Talk Talk

Stats

FANS PLAYLISTED TOTAL PLAYS
1 13 517

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